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Podcast / VoiceoverNo fixed tempo — this is about clean, clear spoken word

How to Record a Podcast in GarageBand

A genre-specific walkthrough for recording and editing a podcast in GarageBand — separate tracks per speaker, cleanup, and ducking music under dialogue.

Podcast production isn't about tempo or arrangement — it's about clarity, consistency, and clean editing. Here's a genre-specific path through GarageBand for spoken-word projects.

Start from the Podcast template

When creating a new project, GarageBand's Podcast template pre-loads a sensible track setup for spoken-word recording, including speech-focused presets. It's a faster starting point than an empty project if podcasting is your main use for the app.

One track per speaker, even in the same room

If you're recording multiple people, give each speaker their own Audio track — even if everyone's recording together on separate microphones in the same room. This makes it dramatically easier to edit out one person's mistake without touching anyone else's audio, balance voices individually, and apply cleanup to just the track that needs it.

Use speech enhancement and check your levels

GarageBand includes voice-focused processing options (speech enhancement) worth enabling on dialogue tracks — it's built specifically for this use case. Beyond that, follow the same input-and-level basics as any recording: correct input source selected, levels set so the meter moves confidently without hitting red (see Recording Your First Audio Track).

Edit for pace, not perfection

Podcast editing is mostly subtractive: cut out long pauses, false starts, and filler words using the same trim-and-split tools covered in Basic Editing: Trim, Split, and Move Regions. Don't chase completely silent gaps between every sentence — some natural breathing room sounds more human than a mechanically tight edit.

Duck music under dialogue

If you're using a music bed (an intro theme, transition stings, background music under narration), the dialogue should always read clearly over it. Rather than manually riding the music volume, draw automation dips into the music track's volume lane exactly where dialogue is happening — bringing it down under speech and back up in gaps — a technique covered more generally in Advanced Mixing: Buses, Sends, and Ducking.

Light compression and EQ for clarity

A light compressor on each voice track evens out natural volume swings between a speaker leaning into the mic and pulling back, and a touch of EQ can help a voice cut through if it sounds a little thin or muddy. Keep it subtle — the goal is a clear, natural-sounding voice, not a heavily processed one.

Keep levels consistent across episodes

If this is a recurring show, aim for a consistent overall loudness episode to episode so listeners aren't constantly adjusting their volume between one episode and the next. A simple, repeatable final chain (light compression, then a limiter to control peaks — see Mastering Your Track in GarageBand) applied the same way each time helps keep that consistent.

Where to go from here

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